Friday, 2 January 2026

THE MIGHTY FACES: Mapping the Human Psyche Through Drawing


Nippon Gallery presents The Mighty Faces: Meet the Human Psyche, a compelling solo exhibition by Prashalee Gaikwad that explores the complexities of the human mind through raw, instinctive drawing and expressive portraiture.

Artist: Prashalee Gaikwad

In an age dominated by polished images and digital perfection, The Mighty Faces returns the viewer to something visceral and deeply human. The faces that emerge in this body of work are not conventional portraits; they are fragmented, distorted, and layered with relentless mark-making. Scribbles interrupt facial features, forms overlap, and lines repeat obsessively—evoking mental noise, overthinking, suppressed emotions, and internal conflict.

Bold strokes and chaotic gestures create a sense of urgency and restlessness. Eyes often appear distant or heavy, suggesting exhaustion, detachment, or introspection, while exaggerated or restrained mouths speak of emotions oscillating between silence and release. Rejecting realism in favour of emotional truth, the works present the psyche as fluid, unstable, and vulnerable.

Rather than portraying the mind as calm or resolved, the exhibition embraces contradiction and disorder. Each face becomes a psychological map—revealing how identity is shaped by unseen internal struggles as much as by outward appearances. Though deeply personal, the works resonate universally, inviting viewers to confront discomfort, recognise shared emotional states, and reflect on their own inner worlds.

Meet the Human Psyche stands as an honest and unapologetic exploration of the mind—layered, noisy, fragile, and profoundly human.


Exhibition Details

THE MIGHTY FACES

Meet the Human Psyche – Opening Artist: Prashalee Gaikwad

Exhibition Type: Solo Show

+91 7700958288 / Pg.studio@prashaleeg.com

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Preview: 📅 6th January 2026 / 🕠 5:30 pm onwards

Exhibition Dates: 📅 6th – 11th January 2026

🕒 Daily: 3:00 pm – 7:00 pm

Venue: Gallery Nippon, 30/32, 2nd Floor, Deval Chambers, Nana Bhai Lane, Flora Fountain,Fort, Mumbai – 400 001

Monday, 29 December 2025

THE MIGHTY FACES Meet the Human Pysche Opening ------ Prashalee Gaikwad SOLO SHOW


Jan- 2026.

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THE MIGHTY FACES
Meet the Human
Pysche Opening
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Prashalee Gaikwad
SOLO SHOW
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Preview
6th Jan- 2026
5:30 pm onwards
Exhibition continues
till 11th Jan- 2026
Daily: 3 pm to 7pm
Contact Number: +91 97020 84088
Email: prashaleeg@pointofhue.in
Entry: Free

Saturday, 27 December 2025

“'CHITTADARSHANI': Where Contemporary Art Meets Legacy” -Art Mumbai

 

Jehangir Art Gallery - Mumbai


Forgotten Fold: Academic Realism, Lost Voices, and the Art Historiography of BengalPublished by Aakriti Art Gallery, 2025


Forgotten Fold marks a critical intervention in the historiography of Bengal’s academic realist tradition, offering a singular focus on Ananda Mohan Shaha—an artist largely omitted from mainstream narratives, yet pivotal to understanding the visual culture of early 20th-century Bengal. This richly documented volume revisits a neglected chapter in Indian art history by reconstructing the life, work, and context of Shaha through rare archival images, journal facsimiles, and freshly restored reproductions of his only known masterpiece, Ashru-Kumva (1918).

Structured around one work by one artist, Forgotten Fold nonetheless extends its critical scope by situating Shaha alongside his better-known contemporaries—such as Hemendranath Mazumdar, Atul Bose, and B.C. Law—thereby inviting a broader reassessment of Bengal’s academic realist lineage. The book is both a monograph and a collective curatorial gesture, drawing on newly surfaced evidence, institutional exhibition records, and contemporary commentary from early 20th-century art publications.

With over one hundred images—many previously unpublished—this volume not only documents visual material but also provides rich scholarly interpretation. Essays by Uma Nair, Soujit Das, Mrinal Ghosh, Dr. Anuradha Ghosh, Debdutta Gupta, and Vikram Bachhawat offer layered perspectives: from critical theory and archival restoration to personal curatorial reflections and historiographic insights. The inclusion of primary sources—such as the 1920 Puja issue of The Indian Academy of Art, which first described Ashru-Kumva—further anchors the volume in the period’s own aesthetic discourse.

Through this rigorous reassembly of visual and textual fragments, Forgotten Fold succeeds in doing what its title promises: recovering a “fold” of Bengal’s visual culture that had slipped through the seams of institutional memory. It sets a benchmark for future archival and revisionist studies in South Asian art, underscoring the necessity of monographic research in unearthing complex, often marginalised, artistic legacies.

A limited edition of 500 copies, this publication will be of particular value to scholars of colonial art history, curators, archivists, and collectors invested in the re-mapping of India’s visual modernity.

Aakriti Art Gallery (AAG)
Art gallery in Kolkata, West Bengal
Address: Orbit Enclave, 12/3a, Picasso Bithi, Mullick Bazar, Park Street area, Kolkata, West Bengal 700017