"UTSRIJI" A Group Exhibition of Paintings by 10 contemporary renowned artists at Jehangir Art Gallery.

 Utsriji: An Ancient Way of Communication brings together ten artists from across eastern India in a compelling group exhibition at Jehangir Art Gallery, presenting a vibrant confluence of contemporary expressions rooted in lived experience and cultural memory.

Organised under the aegis of Utsriji Satsang - a collective established in 1991, this exhibition features works by artists Paban Roy, Tapan Karmakar, Fulla Chandra Mistri, Shiladitya Basak, Malay Dutta, Indrajit Ghosh, Riti Sundar Roy, Ranajit Jana, Subhrajit Dutta, and Mrinal Saha. Each artist contributes a distinct visual language, yet together they form a cohesive narrative that reflects both individuality and shared sensibilities.

The exhibition unfolds as an eclectic rainbow spectrum, ranging from finely detailed figurative compositions and symbolic portraiture to textured abstractions and layered mixed-media works. Themes of devotion, memory, rural life, mythology, and contemporary aspiration surface repeatedly, often interwoven with a strong narrative impulse. Whether it is the quiet dignity of human figures, the symbolic presence of animals and nature, or the interplay of colour and surface, the works resonate with an immediacy that is both accessible and evocative.

What emerges is not merely a display of artworks, but a dialogue, between regions, generations, and modes of seeing. The exhibition underscores art as a timeless communicative force, one that transcends language while remaining deeply anchored in context.

Utsriji invites viewers to engage with this diverse showcase and experience the many ways in which art continues to connect, reflect, and endure.

Sushma Sabnis

Art Curator & Writer

Mumbai

From: 5th to 11th May 2026

UTSRIJI

An Ancient way of communication

A Group show of Paintings by Tapan Karmakar, Fulla Chandra Mistri, Indrajit Ghosh, Malay Datta, Mrinal Saha, Shiladitya Basak, Paban Roy, Subhrajit Dutta, Ranajit Jana, Riti Sundar Roy

VENUE:

Jehangir Art Gallery

AC Gallery No. II

161- B, M.G. Road

Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Contact: +91 94313 97347, +91 98368 07282

“WHISPERS IN THE WILD” An Exhibition of Paintings by Vyoma Parikh at Jehangir Art Gallery

Vyoma Parikh’s paintings unfold as immersive, sensorial environments where landscape is not described but felt. Working with a refined interplay of oil and acrylic, she constructs surfaces that shimmer with layered detail, delicate constellations of colour, cascading vertical rhythms, and tonal shifts that evoke forests, water, and flowering terrains without ever settling into fixed geography. Her canvases hold a quiet dynamism, where density and translucency coexist, allowing light, texture, and form to move fluidly across the surface.

Artist: Vyoma Parikh

What distinguishes her work is this ability to balance intricacy with atmosphere. The repeated vertical elements suggestive of trees, rain, or veils, create a hypnotic structure, while the richly worked grounds, composed of countless minute marks, build a sense of depth that draws the viewer inward. Within these expansive fields, subtle figurative presences, animals, fleeting forms emerge gently, offering moments of pause and scale without interrupting the overall harmony.

There is an unmistakable lyricism to her palette. Whether in the warmth of gold-infused compositions or the softness of pastel-hued expanses, colour in Vyoma’s work is not merely descriptive but experiential, carrying emotional resonance and quiet intensity. The paintings invite deep looking, rewarding attention with shifting perceptions and layered discoveries.

Rooted in a strong foundation of training and informed by her wide-ranging cultural exposure, Vyoma has developed a visual language that is both accessible and contemplative. Her works extend an invitation into a world where reality softens, and perception becomes a more intuitive, reflective act; one that lingers well beyond the first encounter.

 From: 4^th to 10^th May 2026

“WHISPERS IN THE WILD”

An Exhibition of Stillness, reflection and quiet beauty

By

Contemporary artist Vyoma Parikh

 

VENUE:

Jehangir Art Gallery

M.G. Road, Kala Ghoda,

Mumbai 400001                                        

Contact: +91 98202 97461

Timing: 11am to 7pm.

 

 

TARQ

 

TARQ

Ground Floor, KK (Navsari) Chambers, 

39 AK Nayak Marg, Fort, 

Mumbai 400001
W: www.tarq.in
E: aryaman@tarq.in

“EMBRANCE” A Solo Show of Paintings By Well-known artist Vikas Karve at Jehangir Art Gallery Inbox Art Circle Media

Embrance – In Pursuit of the colossal Being

Recent works by well-known artist Vikas Karve from Sangli will be showcased in a solo art exhibition at Jehangir Art Gallery, M.G. Road, Mumbai 400001, from 27th April to 3rd May 2026, between 11 am and 7 pm. Open to all, the exhibition offers an immersive journey into Karve’s deeply personal artistic interpretations of nature—its vastness, quiet beauty, and ever-changing moods—along with evocative depictions of seascapes and life along shores and beaches. The presentation invites viewers to pause and reflect on the intimate relationship between human experience and the natural world.

Karve, who hails from Sangli, has built a strong artistic foundation through his formal training, completing G.D. Art and Dip. A.Ed. from Kalavishwa Mahavidyalaya, Sangli. His practice has been further enriched under the guidance of Satyajit Varekar, a respected contemporary artist known for his own distinct visual language. From an early age, Karve has been deeply drawn to the omnipresent beauty of nature, observing its transformations across seasons and internalizing its rhythms. This lifelong engagement has shaped a visual vocabulary that is both intuitive and reflective, grounded in keen observation and emotional sensitivity.

 Artist: Vikas Karve 

A significant aspect of Karve’s artistic inquiry lies in his enduring fascination with the sea. The vastness of the ocean, the fluidity of waves, and the subtle interplay between movement and stillness have inspired him to explore marine life and coastal environments in depth. For Karve, the sea is not merely a subject but a living presence—dynamic, contemplative, and symbolic of continuity and change. This perspective finds a compelling expression in the works presented in this exhibition.

The exhibition brings together a cohesive body of work that explores multiple dimensions of coastal life and natural phenomena. The dynamism of sea waves is captured through rhythmic lines and layered textures, suggesting both energy and flow. At the same time, Karve skillfully renders moments of stillness—when the sea appears calm, reflective, and almost meditative. This contrast between movement and quietude creates a balanced visual narrative that resonates with viewers on both sensory and emotional levels.

Recurring motifs such as boats, shifting sands, and organic, petal-like patterns emerge across the works, forming a symbolic vocabulary that reflects life along the shore. These elements are not depicted in a purely literal manner; rather, they are interpreted through abstraction and stylization, allowing the viewer to engage with the imagery on a deeper, more contemplative level. The presence of human life—suggested through subtle references to coastal activities and environments—adds another layer of meaning, grounding the works in lived experience.

Karve’s use of lines, forms, and colour tones demonstrates a refined understanding of his medium. His compositions are thoughtfully structured, balancing detail with openness, and intensity with restraint. The colour palette often shifts between soft, muted tones and more vibrant accents, echoing the changing moods of nature itself. Through this careful orchestration of visual elements, he creates works that are both aesthetically compelling and emotionally resonant.

Ultimately, this exhibition reflects Karve’s deep emotional affinity with nature and his ability to translate that connection into a powerful visual language. His clarity of vision and command over technique lend a distinctive coherence to the body of work, making it not only a celebration of natural beauty but also a contemplative exploration of the rhythms that shape our world.

 From: 27th April to 3rd May 2026

“EMBRANCE”

In pursuit of the colossal being

A Solo Show of Paintings

By 

Well-known artist Vikas Karve

VENUE:

Jehangir Art Gallery

Hirji Gallery

M.G. Road, Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Contact: +91 9890325373

mand over the medium and clarity of vision lend a distinctive depth and coherence to the entire body of work.

"Timeless Kashi" Solo Show of Paintings by renowned artist Santosh Kumar Sandilya at Kamalnayan Bajaj Art Gallery

Renowned Ganga Jal Artist Santosh Kumar Sandilya, internationally celebrated as “The Ganga Jal Artist,” will present his much-awaited solo exhibition “Timeless Kashi” at Bajaj Art Gallery, Mumbai from 27th April to 3rd May 2026.

The exhibition showcases a stunning new collection of original oil paintings that capture the eternal soul of Varanasi with its majestic ghats, sacred temples, bustling river life, and the divine presence of Lord Shiva. What makes these works truly unique is Sandilya’s signature technique: every painting is created using holy Ganga Jal (water from the sacred River Ganges) instead of regular water. This sacred medium infuses each canvas with spiritual energy, devotion, and the living essence of Kashi, turning every stroke into a meditative prayer.

“Ganga Jal is not just a medium for me but is a form of devotion,” says Santosh Kumar Sandilya. “Before I touch the brush, I purify the canvas with the holy waters of Ma Ganga. Each painting carries the timeless beauty, heritage, and divine energy of Banaras and Lord Shiva. Through ‘Timeless Kashi,’ I want viewers to feel the same peace, power, and spirituality that I experience every time I paint on the banks of the Ganges.”

The exhibition features large-scale landscapes and intricate scenes of Varanasi’s ghats, temples, boats, and evening aartis, all brought to life with vibrant colors and luminous light. Visitors will experience the mystical aura of Kashi, the world’s oldest living city, as never before, with the holy Ganga literally flowing through the artworks.

Opening Ceremony: 27th April 2026 at 5.30 PM

Santosh Kumar Sandilya, a distinguished alumnus of Banaras Hindu University’s Lalit Kala Department, has earned global acclaim for transforming painting into a sacred ritual. His works have been exhibited across India and abroad, and he is widely recognized for preserving and promoting the spiritual and cultural heritage of Varanasi through art.

This is a rare opportunity for art lovers, collectors, and devotees to own a piece of living heritage, paintings blessed by the holy waters of the Ganges.

From: 27^th April to 3^rd May 2026

"Timeless Kashi"

Solo Show of Paintings by renowned artist Santosh Kumar Sandilya

 

VENUE:

Kamalnayan Bajaj Art Gallery

Ground Floor, Bajaj Bhavan,

226, Nariman Point, Mumbai -  400021

Timing: 11am to 7pm

Contact: +91 8756588588

“Beneath the Surface” An Exhibition of Paintings By renowned artist Manish Sharma at Jehangir Art Gallery

Since 1992, artist Manish Sharma has been devoted to the quiet yet profound language of dry media—charcoal and sepia powder—working on canvas with a sensitivity that transforms material into memory. His practice does not merely observe nature; it listens to it. At the heart of his work lies water—not as spectacle, but as a patient, invisible force—shaping, eroding, and silently composing the earth over time.

Manish  draws inspiration from the way rivers carve their paths through hills and mountains, leaving behind traces of time etched into stone. This slow, persistent act of transformation becomes the essence of his visual vocabulary. His drawings unfold through layered textures and disciplined gestures, where each mark carries the weight of erosion, sediment, and time itself.

At first glance, his works appear abstract—fields of texture, tonal depths, and shifting surfaces. Yet, as the eye lingers, they begin to reveal a terrain: weathered rock, distant ridges, and the quiet vastness of geological memory. Sharma does not depict landscapes; he evokes their presence. His surfaces breathe with depth and distance, allowing viewers to feel rather than see the expanse of nature.

Artist: Manish Sharma

For the artist, water is a silent architect—its gradual movement shaping not only the physical world but also the rhythm of his artistic process. In his hands, texture becomes a vessel of time, and abstraction resolves into a deeply felt reality.

A distinguished contemporary Indian Artist, Manish Sharma’s artistic journey spans over three decades. Recognized by the Lalit Kala Akademi, his works have been exhibited widely across India and internationally. His practice reflects a deep engagement with material, surface, and form, earning him multiple national accolades and inclusion in significant institutional collections.

In this exhibition, Manish  presents a compelling new body of work in sepia tones. Employing charcoal powder, sepia powder, and white chalk powder, he constructs a restrained yet evocative palette that becomes the central voice of the series. These works continue his exploration of water’s quiet force—where time, erosion, and transformation converge into textured visual landscapes.

His compositions move fluidly between abstraction and realism. Layer upon layer, surfaces begin to disclose mountains, eroded terrains, and deep geological formations—never fully revealed, yet unmistakably present. Each work invites the viewer into a contemplative space, where distance, depth, and dimension are experienced rather than defined.

Within the larger framework of “Beneath the Surface,” Sharma’s works offer a meditative pause—an introspective journey into nature’s unseen processes. Here, the earth is not static, but constantly becoming; and through his art, we are reminded of the enduring, quiet beauty of transformation.

The artworks of renowned artist Manish Sharma are on displayed at Jehangir Art Gallery, Kala Ghoda, Mumbai as part of the group exhibition Beneath the Surface. This exhibition can be viewed free for all art lovers from 21 April to 27 April 2026, between 11:00 AM and 7:00 PM.

 21st  to 27th April 2026

“Beneath the Surface”

An Exhibition of Paintings

By renowned artist Manish Sharma              

 

VENUE                                                             

Jehangir Art Gallery

Auditorium Hall, M.G. Road, Kala Ghoda, Mumbai

400001

Timing: 11am to 7pm

 

“Grammar of Reverence” by Ashok Namdeo Hinge – Visual Artist, Mumbai

This artwork belongs to my early exploration of punctuation as a visual language—long before Commascapes came into existence. Almost two decades ago, I began to see these simple, often overlooked marks not merely as elements of grammar, but as forms capable of expressing human emotions, relationships, and deeper philosophical ideas.

Commascapes © Ashok Namdeo Hinge

In this work, the question mark becomes the Shishya (student)—bowing to the ground, humble and seeking. The exclamation mark stands as the Guru (teacher)—upright, steady, and full of clarity. With the slightest shift in form and placement, these marks begin to resemble human gestures, transforming language into a quiet visual narrative.

The essence of the idea lies in a thought that feels both simple and profound:
a question, when it bows with sincerity, transforms into understanding.

I have intentionally kept the composition minimal. There are no additional decorative elements—just two prominent forms (the question mark and the exclamation mark) and a single, small parenthesis between them to denote a blessing. The space within the work becomes important, as it allows the viewer to pause, reflect, and complete the meaning through their own experience.

What continues to move me is how naturally people connect with this piece. Over time, it has travelled widely across digital platforms, especially during Guru Purnima, where it is often shared as a symbolic gesture of respect and gratitude. The work has been embraced by celebrities, artists, athletes, politicians, educational institutions, and the general public, finding a meaningful place in both cultural and academic spaces. A particularly special moment was when Mr. Amitabh Bachchan shared this work on his Facebook page (FB 2784), allowing it to reach an even larger and more diverse audience.

 Artist: Ashok Namdeo Hinge

For me, this artwork goes beyond punctuation or design. It captures a timeless moment—where curiosity lowers itself, and wisdom simply stands… continuing forever in the quiet, unspoken grammar of reverence.

© Ashok Namdeo Hinge. This artwork “Guru–Shishya” / “Grammar of Reverence” is the intellectual property of the artist and is protected under applicable copyright laws. Any commercial use, reproduction or adaptation in any form is prohibited without prior written permission from the artist.

Art Blogazine Team 2026

 

 

"BENEATH THE SURFACE" Paintings & Sculpture Exhibition by 4 contemporary Renowned artists at Jehangir Art Gallery

Opening at the Jehangir Art Gallery, Auditorium Hall, ‘Beneath the Surface’ brings together four artists whose practices are rooted in an engagement with what lies beyond immediate visibility. The exhibition is less concerned with surface resolution and more with the internal negotiations, of memory, material, and lived experience, that precede and shape the final work. It asks the viewer to slow down, to look past the evident, and to encounter the quieter, often unresolved tensions embedded within each piece.

Charanjeet Singh’s works move between past and present, drawing from architectural memory and historical visual languages to construct spaces that feel both intimate and distant. His paintings hold a sense of time layered upon itself, where fragments of history are neither preserved nor erased, but reconfigured.

Charanjeet Singh, Acrylic & Oil on canvas

Manish Sharma approaches the landscape as a psychological terrain. Working within a restrained palette, he builds images that oscillate between recognition and ambiguity. These are not depictions of place, but states of perception, where structure dissolves into texture and memory resists clarity.

Manish Sharma, Dry Media on canvas

Abhishek Mandala’s sculptural language centres on the human figure as a site of pressure and transition. His forms suggest bodies shaped by forces larger than themselves, economic, social, and spatial, where endurance and fragility exist in constant negotiation.

Abhishek  Mandala,  Mix Media, Sculpture

Kaushik Gajjar reflects on the idea of dwelling, not as static architecture but as a living, relational condition. His compositions evoke built environments that seem to lean, connect, and respond to one another, suggesting a collective life embedded within structure.

Kaushik Gajjar, Acrylic and Watercolour on paper

Elegantly curated by Ojas Desai, the exhibition is guided by a measured and thoughtful vision, one that privileges depth over display, and invites a sustained, attentive viewing experience.

From: 21st to 27th April 2026

"BENEATH THE SURFACE"

An Art Exhibition by - 4 contemporary Renowned artists - Abhishek Mandala, Charanjeet Singh, Kaushik Gajjar, Manish Sharma 

VENUE:

Jehangir Art Gallery, Auditorium Hall,

161-B, M. G. Road, Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm - Contact: +91 9825149459

“Yellow Canvas 2026” A Children’s Art Exhibition at Kamalnayan Bajaj Art Gallery I 18th & 19th April 2026

The Yellow Canvas Platform presents Yellow Canvas: A Children’s Art Exhibition 2026, an initiative led by Sohan Kumar Choudhary, an alumnus of Sir J.J. Institute of Applied Art. Conceived as a space to recognise and nurture emerging talent, the exhibition brings together a diverse body of work by young artists trained under his guidance, with 81 students from Sr. KG to Grade 12 participating in this edition

At its core, the exhibition celebrates creativity as an essential and deeply human faculty. It reflects a pedagogical commitment that moves beyond technical instruction, encouraging students to develop independent visual languages while grounding them in strong foundational and advanced artistic principles. Over the years, many participants from this ecosystem have progressed into fields such as applied art, product design, graphic design, fashion, and interior design, with several establishing themselves as practicing professionals, educators, and international exhibitors.

This edition expands its scope by including works from students based across the United States, Germany,  UAE, Armenia, Canada, Belgium, Thailand, Netherlands, and Singapore. The exhibition thus situates itself within a broader global dialogue, while remaining rooted in Indian artistic traditions, including engagements with folk forms and regional visual cultures.

Yellow Canvas 2026 is not merely a display of youthful expression but an evolving platform that fosters discipline, imagination, and cultural exchange. By creating an environment that is both structured and exploratory, the initiative underscores the importance of sustained engagement with art from an early stage.

The exhibition stands as a testament to the role of mentorship in shaping future creative practices, offering young artists both visibility and encouragement in their formative years.

The Participating Students:

Siddhansh Romin Mehta, Aaryan Chandresh Soni, Anoushae Aga, Narek Mihranyan, Ye Htut Naing, Aanya Potdar, Ariha Romin Mehta, Ivaan Sancheti, Ivaan Potdar, Naavya Pratik Shah, Ye Htut Bo, Ayansh Hiren Vora, Kabir Kurien, Leonid Luchkin, Raehan Aga, Avni Hitesh Gurav, Nirvi Ankit Mehta, Smera Sanghvi, Tahmir Patrawalla, Veera Arvind Kumar Jain, Agastya Jhaveri, Annirudh, Anvay Shah, Dev Sushil Kothari, Dhrishay N. Mehta, Hitansh Ankur Kothari, Kimaya Padhye, Mihaan Ajmera, Myra Shah, Rehaan Sahil Jhaveri, Aarav Pankaj Dhawan, Aariv Sanghavi, Anaaya Deep Shah, Joel Varghese, Yashika Jain, Hiya Shah, Kayan Shah, Kiah Rohan Shah, Mohnish Sajnani, Mysha Jain, Riaana Kartik Shah, Saathvik Subrotho Rana, Saisha Dalvi, Yashika Chandresh Soni, Aahana Gaurav Koradia, Aarav Jain, Hia Kaushal Shah, Himaayaa Raghani, Nathanael Nadal Suganth, Tanush Jani, Vviyaa Ritesh Jain, Aalia Kacheria, Aarav Dave, Aditi Kothari, Akshaj Sanghvi, Anay Aadish Shah, Anaya Meghani, Antak Sanghvi, Dhruti Vrajesh Shah, Dhruvi Dassani, Dravya Dilip Vardhan, Nisreen Sanchawala, Vivaan Shah, Vyom Goenka, Aamena Lokhandwala, Amatullah Shabbir Masalawala, Anshul Minda, Ayaana Agarwal, Hufriya Italia, Livana Sethi, Owee Vinayak Hendre, Vritti Prem Avichal, Aarya Sharma, 

Ananya Subrotho Rana, Diya Vakil, Natasha Kalpesh Rathod, Nithya Sharad Avhad,

Tia Bhavik Shah, Manav Gorakh, Naffeesaa Murtazza, Taksh Gagan Kothari.

Sohan Kumar Choudhary - Coordinator

This show will be inaugurated by Honourable. Chief Guest H.E. Aliaksandr Matsukou (Consulate General of the Republic of Belarus in Mumbai)

Guests of Honour Ms. Nidhi Chaudhary (IAS) Director, National Gallery of Modern Art, Mumbai, Prof. G. G. Waghmare Former Director, Directorate of Art, Government of Maharashtra Former Dean, Sir J. J. Institute of Applied Art, Dr. Uttam V. Jain Patron, Hindustan Chamber of Commerce, Mumbai, Ms. Dolly Thakore Indian Theatre Actress & Casting Director Malti Jain Director- Public relations & Social Philanthropy, Mr. S. P. Ahuja President - All India Anti Terrorist Front, Mumbai, Dr. Aneel Kashi Murarka Industrialist & Indian Philanthropist, Tassnim Nerurkar Television Actor, Dishita Sehgal Child Actor, Anngad Raaj Child Actor

Solo Show of Sculptures by renowned sculptor Dr. Venkata

Dr Karaka Venkata Rao’s art moves with the restless rhythm of water, rising powerful and unyielding in the wake of human excess. The reminiscence of a place he called home, interspersed with nostalgia, marks the basis of the layers of depth he incorporates in the sculptures. He relentlessly sifts through archaic constructs of timelessness that reflect unhindered metamorphosis of the surroundings but steers clear of advocating or preaching. The sculptures encompass shards of primitive and traditional symbolism that remain strikingly relevant in today’s world. The men and women depicted in the sculptures exude a mythical dominance that sets the tone for an understanding of the nature that has seen a transient shift from being pure to its present-day impurity.  Dr Venkat Rao is observant of his surroundings and questions the systems that sustain life and its marginalized approach to endure nature’s wrath. In his sculptures, Dr Venkat places nature at the center of human existence. The figures that emerge from his studio are not isolated bodies but creatures shaped by tides, wind, salt, and soil. Fishermen, women, and hybrid forms appear as extensions of the coastal world around them. Their gestures swerve in a sea of a honeycombed scape encompassing multitudes of worlds in a weave, enmeshed in the memory of the fishermen’s nets that lay waiting.

Sculptor: Dr. Venkata

My reaction to human's savage flaws has transformed into forms which are partly human and partly in animal form. But, my concerns towards humans have flipped my verdict on them turning them into gorgeous gargoyles which are metaphorical depictions of metropolitan human's convoluted life," says Dr Venkat as he speaks about his sculptures.

These sculptures echo the lived experiences of the communities by the sea, for whom the sea is the lifeline. In these works, nature is not scenery. It is the governing force that structures life, labour, and survival. The sculptures also register the strain placed on this fragile relationship with nature. The bodies carry marks of imbalance, of waters thickened by waste and shorelines slowly altered by human intervention. K Venkata Rao’s practice reflects a world where nature continues to speak, even as its voice is strained by neglect. His figures stand as witnesses to a landscape that has shifted from abundance to uncertainty.

Armed with bamboo, paper, resin and swaths of fabric, he builds sculptures that turn everyday materials into eye-catching creations. At times, he paints the sculptures giving them a semi-realistic appearance, his practice is further informed by the enduring sculptural traditions embedded in the temples of Andhra Pradesh.

What emerges is a visual field where humanity and environment remain inseparable, bound together in a tense coexistence where the recovery of nature becomes both a memory and a demand.

This show will be inaugurated on 14th April 2026 at 5pm by Honourable Guests Dr. Achal Pandya(Professor and Head of the Division(Conservation) Indira Gandhi National Centre for the Arts(IGNCA) Janpath, New Delhi, Ms. Vinita Mirchandani(Studio 3 Art Gallery, Mumbai), Mr. Ratan Krishna Saha(Eminent Sculptor)

"IN THE FACE OF IT ALL" Solo Show of Sculptures by renowned sculptor Dr.Venkata. He is going to show his recent works in Jehangir Art Gallery, Kala Ghoda, Mumbai from 14th to 20th April 2026 between 11am to 7pm.

Jyoti C  Deo 

Artist and Writer - (Founder and Editor: Art and Design Dimensions)

from: 14th April 20th April 2026

“IN THE FACE OF IT ALL”

Solo Show of Sculptures by renowned sculptor Dr. Venkata

VENUE: Jehangir Art Gallery

161-B, M.G. Road Kala Ghoda, Mumbai 400001- Timing: 11am to 7pm

Contact: +91 9665041123, +91 9849491123