79-Year-Old Artist Shailaja S. Kamat Brings Cityscapes & Nature to Life in Solo Exhibition

 At 79, Mumbai-based artist Shailaja S. Kamat continues to paint with the curiosity of a beginner and the confidence of a seasoned hand. Her upcoming solo exhibition, Beyond the Shapes, will be on view at Leela Art Gallery, Mumbai, from 27^th October to 2nd November, showcasing a collection of cityscapes and nature-inspired works that reflect her enduring fascination with structure, rhythm, and balance. What makes Kamat’s journey remarkable is not just her talent, but her unwavering dedication to art… an energy that seems only to grow stronger with time. Drawing more from imagination than reference, her paintings unfold like visual conversations with the world around her.

Artist Shailaja Kamat

Kamat’s tryst with art began when she was barely eight or ten, painting greeting cards and experimenting with watercolours as a simple childhood hobby. What started as play soon grew into a lifelong passion. With no formal training, she painted purely out of love until encouragement from those around her inspired her to take it more seriously. Under the mentorship of well-known artist and art teacher Satyendra Rane, she refined her technique and discovered her own visual language in acrylics. Over the years, she has developed a distinctive style - vibrant cityscapes that balance order with emotion, and structure with spontaneity.

Painting by Shailaja Kamat

In Beyond the Shapes, Kamat explores the relationship between the built environment and nature - the dynamic interplay between concrete and calm, between manmade order and organic beauty. “My exhibition explores the diverse architecture and landscapes of the nation,” she says. “While its central focus is on the built environment, from the dense geometry of cities to the serene structures of rural villages and temples, it also incorporates works of nature and flora. Through this juxtaposition, I invite viewers to consider the relationship between human construction and the natural world.”

Having exhibited her works across India and Dubai, Kamat’s journey in architectural art has been shaped by years of close observation and experimentation. “My move to cityscape art was a natural progression of a lifelong passion,” she shares. “From a young age, I was captivated by architectural design and the different ways light plays on structures. I try to translate those observations, sometimes literally, sometimes abstractly, into colour and form. The process is deeply meditative, and the emotion that emerges through vibrant hues gives me immense joy and fulfilment.”

Created over the last four years or so, the show features approximately 25 to 30 works in acrylic and watercolour, varying in size and composition. “It has taken me about eight to ten years to put all these works together. Each painting represents a stage of learning, growth, and discovery”, she concludes.

Shailaja S Kamat’s art show ‘Beyond the Shapes’ will be on display at Leela Art Gallery, The Leela, Andheri (E), Mumbai, from 27^th October to 2^nd November 2025

Art blogazine News - Kala Ghoda Mumbai

National Gallery of Modern Art (NGMA)

Greetings from the Consulate General and Promotion Centre of the Argentine Republic in Mumbai!

We are delighted to invite you to an upcoming art exhibition taking place from November 3rd to 8th (Opening: 3rd at 6 pm), in  collaboration with the National Gallery of Modern Art (NGMA) & Cosmic Heart Gallery, featuring the works of three acclaimed Argentine artists: Pablo Ramírez, Gerardo Korn, and Julia Romano.

The event aims to highlight not only the richness and diversity of contemporary Argentine art, but also to foster the cultural exchange between Argentina and India through the artists´ unique perspective, practices, and visual storytelling.

Just do it.

Mehroo Mistry: Passing away of Ratan Tata and the gambit of crocodile tears. 

Not a single politician who now talks of being sad on the passing away of Ratan Tata actually cares. A single member of the Tata family has done more for the country and given more to the country and the poor than all the politicians and their families put together.

So Mr Politician, cut the crap. You didn't give him the Bharat Ratna when you should have. You didn't have the balls to name an airport after JRD Tata who gave India its airline but will happily name it after some union leader or politician to pander to them for vote banks.

Cut the bull, Mr Politician, about being sad. You don't care about any of the Tatas...

If you do, let us see you name the new upcoming airport in Mumbai after the Tatas.

Rustom Jamasji

Mehroo Mistry: Let's start a movement by sending this message, making it viral that the new airport of Navi Mumbai be named after Ratan Tata. I am sending this first message on our group and intend making it viral. I want all of you to think and, if you agree, just do it.

“UJJAL” An Exhibition of Paintings & Sculpture by 6 renowned artists in Jehangar Art Gallery

The group show “UJJAL” displays paintings and sculptures by six contemporary Indian artists: Bappa Maji, Pravat Manna, Subrata Paul, Sudeshna Sil, Sudip Biswas, and Tanmoy Hazra.

"UJJAL" (meaning bright, luminous) draws viewers into a deep conversation with form, colour, memory, myth, and nature. These six artists, regardless of their fields, combine tradition and novelty, the physical and the lyrical, the individual and the general.

Sudeshna Sil's work reflects her sensitivity, influenced by Bengal's nature and art training. Through watercolour, mixed media, and fabric, she portrays nature's depth, offering escape from city life.

Bappa Maji of Kolkata sculpts sacred and animal forms using the Bengal Dokra tradition. He reinterprets mythological Vahanas in new materials. His art considers humans, animals, myth, and daily life, prompting viewers to feel respect and think.

Pravat Manna uses paint to change the canvas into a landscape of feelings, using oil, acrylic, and mixed media. Through layered compositions, he explores memory, identity, and humanity, using technical skill and personal symbolism.


Active since the late 1990s, Subrata Paul sculpts, often with bronze and wood, moving beyond mere replication to reveal the hidden energies of form. His sculptures communicate human feelings and interactions, using both old and new artistic methods.

Sudip Biswas, a notable modern Indian painter, creates stories of quiet feelings, cultural remembrance, and tradition. Benaras and the Ganga influence his paintings, which combine abstraction and figuration. His recent awards highlight the impact of his work.

The exhibition also includes Tanmoy Hazra's work, which is characterized by its expressive and innovative qualities and engagement with diverse materials, form, context, and meaning. 

The six artists engage in a complex dialogue, rich with layers of myth and matter.

"UJJAL" presents a unique mix of artists, allowing art lovers to dive into modern Indian visuals that are both classic and forward-looking. We welcome everyone to experience these artworks 

 UJJAL” — A Radiant Confluence of Painting & Sculpture
14 – 20 October 2025 | Jehangir Art Gallery (Auditorium Hall), Mumbai

From: 14th to 20th October 2025

VENUE: Jehangir Art Gallery, Auditorium Hall, 161-B, M.G. Road, Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm, Contact: +91 9163718889, +91 9831307228

A Solo Show of Recent Work by Renowned artist Vishwa Sahni

“Visthapan”

Vishwa Sahni’s painting seems to have been focused for some time on the contention that abstraction, if allowed to breathe in a deeper pictorial space, can maintain visual opulence without drifting too far from its essentially two-dimensional syntax. Among a generation of artists who matured on this side of painting’s pluralist expansion, where each painter’s style, look and touch was far more varied than that of their predecessors, Sahni held to a firm figurative scaffold based on migration both perceived and imagined. Though the iconography in this recent work remains readable each painting’s horizon is still easy to find, there is in newer panels a softening of the edges and a swelling of forms that now shimmer behind translucent washes instead of bending, as they once did, into each other’s space. From an optimal distance coerced from the viewer by the five feet by nine feet spread of their frames their reconfigured cohesion seems to rely less on drawing and more on a spontaneous manipulation of hue and texture.

Artist: Vishwa Sahni

The resulting airiness is a clear departure from his earlier work, which is reprised in this exhibition, an example of his harder-edged shapes, apparently reconstituted during the painting’s many stages of development so as not to diminish the careful coordinating of its unique structural invention. To drift from the success of this method is risky, for what’s been so appealing about Sahni’s work until now has been precisely its interconnected complexity. The changes seen in this exhibition may be attributed in some measure to his establishing a studio in Mumbai, a move from country life in Madanpur, for reasons linked to the landscape itself, resetting a painter’s perspective.

A clue to the path taken in this shift between the earlier compositions and these newer, cloudier apparitions may be found in seven-foot square painting representing the artist’s trials at keeping the structure fixed tighter to the surface. Here, a familiarity with Sahni’s elevated horizon line helps the viewer read the ghost of a landscape that still exists despite the missing diagonals and story-book trees of his earlier work, elements that had once supported the artist’s penchant for excavating spatial illusion with little cost to a lively surface. Visthapan marks the change as its simplified shapes are not immediately recognizable as landscape elements. They also seem unusually tolerant of each other’s position in the composition.

And yet to my eye the most adventurous of the newer canvases in the show, still owes something to the lexicon of the earlier work, though here it seems Sahni’s method has turned to a new and pronounced improvisation. Visthapan’s surface remains in a perturbed state. Edges are ragged and makeshift. Translucency dominates. There is even a gestural coarseness replacing what was once a controlled chaos of endlessly suggestive shapes. The color alone in Visthapan provides the link to earlier work, being mostly middle tones of contingent primary and secondary hues.

For anyone who has followed Sahni’s work these many years, an effort to catch up to where he is now will require diligence, which I believe is a fair expectation for him to make as his paintings have always appealed to a visually smart audience. Because his abundant inventiveness had constituted as near a legible pictorial language as created by any painter in recent memory, encountering its contraction will demand a real and unavoidable learning curve. Sahni is a painter whose strength had always been his ability to develop variations on a theme. The construction of an intelligent, readable and teasingly ambiguous pictorial image, still speaks to a continuity of vision.

Sahni has never been a painter fixated on concocting a new look, and there is no indication here of chasing novelty, nor is there any hint of applying arbitrary effects to avoid comparison with contemporaries. From the beginning his work has been a conscious adaptation of migrant landscape elements knit tightly into compositions that owed a great deal of their cohesion to those compositional properties that as any instructor knows are maddeningly difficult to formulate verbally but can be appreciated in its many variations. As galleries continue to hawk brightly colored things apparently meant for the simpler aim of accessorizing the expansive blank walls that once provided inexpensive working space for artists, it gives one hope to watch a painter keep to self-imposed limitations, not in spite of, but because there is more than enough room within a rectangle of canvas to address a thoughtful and historically aware sensibility.

Abhijeet Gondkar

October 2025, Mumbai

From: 14th to 20th October 2025

VENUE: Jehangir Art Gallery,161-B, M.G. Road, Kala Ghoda, Mumbai 400001, Timing: 11am to 7pm

A selection of works from one of the masters and prominent contemporary Indian artists

Curated for art lovers, aspiring collectors, and seasoned aficionados

by Sukruti Singh With years of experience in showcasing India’s finest contemporary art.

Artist: Achuthan Kudallur

Achuthan Kudallur: The Poetics of Colour and Silence

The exhibition celebrates the life and art of Achuthan Kudallur (1945–2022), one of India’s most significant abstract painters whose work transformed colour into emotion and silence into form.

Born in Kudallur, Kerala, Kudallur trained as an engineer before moving to Chennai, where he discovered his true calling in art. A largely self-taught artist, he began with figurative works and gradually evolved into pure abstraction, exploring the depth and intensity of colour with unmatched sensitivity.

Kudallur’s canvases—marked by vibrant reds, serene blues, and luminous yellows—embody a meditative rhythm. His abstraction was not decorative but deeply personal, reflecting memory, mood, and the inner landscape of thought. A key figure of the Madras Art Movement, his works bridged discipline and spontaneity, emotion and restraint.

Recipient of the National Academy Award (1988) and the Tamil Nadu Lalit Kala Akademi Award (1982), Kudallur exhibited widely across India and abroad, with works held in major collections including the National Gallery of Modern Art, New Delhi.

This presentation honours Achuthan Kudallur’s enduring legacy—a visionary who made colour his language and silence his signature.

Artequest Art Gallery (AAG), nestled in the heart of Mumbai since 2010, shines as a radiant beacon for modern and contemporary Indian art. Renowned as a vibrant cultural hub, AAG dazzles with its curated blend of masterpieces by iconic artists like S.H. Raza, F.N. Souza, Tyeb Mehta, M.F. Husain, Anjolie Ela Menon, and Prakash Bal Joshi, alongside the bold, innovative works of emerging talents shaping the future of Indian art.

Far more than a gallery, Artequest is a dynamic bridge connecting artists, collectors, and art lovers with a shared passion for creativity. Committed to authenticity and excellence, it offers a trusted platform for collectors and a nurturing space for artists to flourish. Through vibrant exhibitions, prestigious art fairs, and exciting international collaborations, interacting with foreign embassies, AAG amplifies the global resonance of Indian art while remaining deeply rooted in Mumbai’s electrifying art scene.

Solo Exhibition: Achuthan Kudallur– Silent Colours

Dates: 4th – 10th October 2025

Time: 10:00 am – 9:30 pm (Entry by appointment only)

Venue: Artèquest Art Gallery, A3/103, BGTA Ganga Premises, Near Atul Seth, Opp. New Cuffe Parade – Lodha,Wadala (E), Mumbai – 400037, India

For further details, contact:🌐 www.artequest.com

 

Art Vista Presents - LEGACY & BEYOND A Grand Art Exhibition Celebrating Modern and Contemporary Masters

A Journey from Modern Masters to Contemporary Voices

Legacy & Beyond brings together works by India’s most celebrated artists, offering a dialogue between artistic generations and philosophies. The exhibition features legendary names such as Nasreen Mohamedi, S. H. Raza, F. N. Souza, B. Prabha, B. Vithal, Badri Narayan, Satish Gujral, Suhas Roy, and Yashwant Shirwadkar, alongside dynamic contemporary creators including Amol Pawar, Chintan Upadhyay, Ajay Samir, Abhisha Pradhan, and others.

Each artwork becomes a passage through time — a reflection of legacy, spirit, and imagination that continues to shape India’s cultural landscape.

Featured Highlights

Nasreen Mohamedi – Untitled (Pen and Ink on Paper, 24" x 22")

A pioneering abstractionist, Mohamedi’s minimalist lines explore rhythm, silence, and structure. Her work in Legacy & Beyond represents the meditative geometry and discipline that defined her artistic philosophy — purity of thought rendered through the precision of ink.

F. N. Souza – Untitled (Ink on Paper, 11" x 8.5", 1983)

Souza’s distinctive figuration and raw expressionism bring psychological depth to form. This ink study captures his characteristic tension between beauty and distortion, intellect and instinct — a window into the artist’s enduring critique of human complexity.

Badri Narayan – “A Pot of Flowers” (Mixed Media on Paper, 22" x 22")

Evocative and poetic, this composition blends mythology and metaphor. Narayan’s figures exist in a timeless world — part dream, part folklore — revealing a gentle narrative about connection, offering, and the human condition.

The exhibition will be inaugurated by Dr. Sanjay Bhide, Founder of the Trans Asian Chamber of Commerce & Industry, on 7th October 2025 at 5:30 PM.

Distinguished Contributors : Adding depth to this collective vision are eminent figures of the Indian art fraternity: / Mr. Surendra Jagtap – Eminent Artist / Mr. Shri. Prakaash Bhise – Eminent Artist & Professor / Mr. Vikrant Manjrekar – Eminent Sculptor

Curatorial Vision

Under the curation of Mrs. Kirti Kumar Gaikwad, Legacy & Beyond transcends generational boundaries. The exhibition is both a homage and a dialogue — between the voices of the past and the visionaries of the present. It invites viewers to witness how the language of form, colour, and idea has evolved while remaining rooted in an enduring quest for identity and meaning.

Join us at Jehangir Art Gallery

Step into a space where India’s artistic heritage converses with its contemporary pulse. Legacy & Beyond celebrates the continuum of creativity — honoring what was, embracing what is, and imagining what lies beyond. Art Vista, led by Mrs. Kirti Kumar Gaikwad – CEO, Founder, and Curator – proudly presents “Legacy & Beyond”, a landmark exhibition that pays tribute to India’s rich artistic lineage and its contemporary evolution.

Inauguration: 7th October 2025 | Time: 5:30 PM

Exhibition Dates: 7th – 13th October 2025 | Timings: 11 AM – 7 PM

Venue: Jehangir Art Gallery, 161-B, M. G. Road, Kala Ghoda, Mumbai – 400001

All image copyright Art Vista

"Art Vista presents 'Legacy & Beyond'!

"Art Vista presents 'Legacy & Beyond'!

Join us for the inauguration on October 7, 2025, at 5:30 pm. The exhibition features an impressive lineup of artists, including Dr. Sanjay Bhide, Mrs. Kirti Kumar Gaikwad, and many more.

Exhibition Dates: October 7-13, 2025

Time: 11 am - 7 pm

Don't miss this opportunity to experience the works of renowned artists and explore the world of art!"

Art vista presents EGACY & BEYOND at Jehangir Art Gallery

 

Art vista presents 

EGACY & BEYOND

Inauguration 7 Oct 2025 5:30 pm

ART EXHIBITION

Dr. Sanjay Bhide Founder, Trans Asian Chamber of Commerce & Industry 

7-13 oct 2025 - 11 am to 7pm

-----------------

Mrs Kirti Kumar Gaikwad

ART VISTA CEO/founder/curator

Mr. Surendra Jagtap - Eminent Artist

Mr.Shri.Prakaash Bhise - Eminent Artist/professor

Mr. Vikrant Manjrekar - Eminent Sculptor

-----------------

Nasreen Mohamedi / S. H. Raza / F. N. Souza / B. Prabha / B. Vithal / Badri Narayan / D. V. S. Krishna / Satish Gujral / Yashwant Shirwadkar / Suhas Roy / Sumanto Chowdhury / Jenny Bhatt / Chintan Upadhyay / Ajay Samir / Amol Pawar / Abhisha Pradhan / Chandrakant Tajbije / Gopal Pardeshi / Nannuta Rajeshwar / Santosh Kumar Sandilya / Jageti Venkateshwariu / Kappari Kishan / K. Ravi / Kantha Reddy / Kumar Gaikwad /Shanthi Vinjamuri / Rajashekhar Komakula / Madhu Kuruva

-----------------

Jehangir Art Gallery 

161-B, M. G. Road, Kala Ghoda, Mumbai 400001 - Timing: 11am to 7pm

“Wandering Eye” An Exhibition of Photographs by Sateesh Dingankar in Jehangir Art Gallery

This show will be inaugurated on 8^th October 2025 at 5pm by Honourable Guests - Prakash Bal Joshi(Veteran Visual Artist), Dr. Sanjay Bhide ( Founder, Convenor and secretary TACCI, Mukesh Parpiani(Legendary Photojournalist)

Photography has always been a way of holding a mirror to the world. But in these images, the mirror is tilted—revealing not only what is seen, but also what is suggested, what lies between perception and imagination. These photographs by Sateesh Dingankar listen to the quiet gestures of the world— a twig casting shadows that dance, a crack turning into an exclamation, a tree trunk whispering a human form. Light bends, metal shimmers, rust deepens into memory. Ants march, a snail hesitates, nature leans against the man-made, and even what is discarded smiles back. In this exhibition, photography is not just documentation, but meditation. It is a practice of finding poetry in surfaces, gestures, and fleeting light—reminding us that the extraordinary is often hidden in plain sight.

 

Prakash Bal Joshi

Eminent Artist

8^th to 14^th October 2025

“Wandering Eye”

An Exhibition of Photographs by Sateesh Dingankar