Time Suspended: The Quiet Power of Pradip Maitra

There is a quietude that permeates the canvases of Pradip Maitra—an arresting stillness that neither demands attention nor relinquishes it. Born in 1959, Maitra has spent decades cultivating a language of painting that resists noise and spectacle. Instead, his works exhale a soft, unhurried breath, inviting the viewer into moments of introspection, memory, and emotional resonance. Educated at the Indian College of Art & Draftsmanship in Kolkata, his foundational training in academic realism is ever-present, yet his treatment of form transcends formalism.

Artist: Pradip Maitra

Maitra’s visual grammar leans into solitude and silence. Figures appear enveloped in soft shadows or emerge from textured fields, suspended between presence and absence. In this delicate tension lies the artist’s power—each composition acts as a portal, leading viewers into quiet territories of thought, longing, or even unresolved grief. There are no grand gestures, no overt narratives. Yet the emotive weight of his paintings lingers long after first viewing.

His works, often rendered in subdued tones and layered textures, mirror the layered nature of inner life. Light is never simply illumination; it becomes metaphor—of consciousness, of divinity, or simply of time slipping through the cracks of daily existence. In a world that celebrates immediacy and volume, Maitra’s paintings return us to the slow and the essential.

Over the years, his art has found home in discerning collections across India and abroad, appreciated by those who value subtlety over spectacle. Each painting is not merely an object of beauty but a space for contemplation—a moment suspended in time, quietly powerful, and profoundly human.

Artist represented 

by Aakriti Art Gallery

Address: Orbit Enclave, 12/3a, Picasso Bithi, Mullick Bazar, Park Street area, Kolkata, West Bengal 700017, Phone: 033 2289 3027

“ANISOTROPIC” An Exhibition of Paintings by 3 well-known artists from Andhra Pradesh in Jehangir Art Gallery

A  group show that depicts non uniformity in unity .

various styles , emotions and ideologies come together  as one narrative !

 

Anisotropic, where non-uniformity meets uniformity, a heartfelt event group show of 3 artists from Andhra Pradesh. Anisotropic is more than   just an art exhibition — it’s a beautiful reunion of us !

Raki Rao

RAKI, or Rama Krishna Donga, a Chennai-based artist from Palakol, Andhra Pradesh, will showcase his Fusion Art at the ANISOTROPIC group exhibition at Jehangir Art Gallery, Mumbai, from August 19th to 25th, 2025. Self-taught but mentored by stalwarts like Ankaiah and Sri Rajavelu, RAKI has 40 years of experience, including assisting a well-known South Indian artist and associating with prominent groups like Guntur Pandavas and Kalapeetham of Andhra Pradesh. His artistic career, which began in 1985, later evolved to include modern abstract styles, blending cubism with traditional themes. This unique style, characterized by a symbiosis of modern techniques and a traditional foundation, is referred to as Fusion Art. RAKI holds a Diploma in Painting from SDKK College of Fine Art, Chennai. He has served as Vice President of the Tamil Nadu Arts and Crafts Improvement Association (2017-2019) and Cultural Secretary for Andhra Pradesh & Telangana State at Sri Dharshini Group of Institutions (2018-2019). He also founded the VAPA-BAPU Art Association. RAKI has earned 16 awards in major South Indian competitions and participated in over 35 exhibitions.

Boddeti Suryanarayana

Boddeti Suryanarayana is a retired Drawing Teacher. He has been producing wonderful paintings and works of Art. He is well-known all over India and also abroad. He has won several awards both at state and national level. The style of his art is realistic and deals with the lives of the Primitive Tribal Groups.

Boddeti Suryanarayana goes back to his boyhood days when he spent his days among the PTGs, as his elder brother was working in the Girijan Co-operative Corporation, Visakhapatnam District located in Paderu, Chinthapalli and Aruku Valley. His keen observation of their lives became the subject of his art of painting. He is a unique painter because nobody has touched this subject so far. His experiences of his early days with the PTGs brought him recognition at the national level and resulted in getting awards and name and fame.

The tribal communities in the Visakha Agency have a rich history, marked by unique cultural practices and distinct social structures. These groups, including the Bagata, Kotiya, Konda Dora, and others, have traditionally inhabited the hilly and forest regions of the Eastern Ghats.

The Khond, Porja and Gadaba are identified as “Primitive Tribal Groups” (PTGs). They depend on Podu cultivation, forest produce collection, carpentry and black smithing for their livelihood.

Mr.Boddeti Suryanarayana mingled with these Primitive Tribal Groups to study their life style. His paintings emerge out of his realistic study of their day-to-day life.

 

 

Diana

Ms. DIANA , from Andhra Pradesh, is a passionate Educator, writer, art therapist, and  folk artist with 24 years of experience in the field of Art.  She is a multidisciplinary artist  who  practices a unique Art form called the Deccani scrolls  which is quintessential to Andhra and Telangana state , where she grew up !  Her vibrant works—encompassing textiles, murals, natural stone and clay colors , and community-based installations—reclaim indigenous and matriarchal histories.

She is a versatile artist who has done immersive residencies on batik from Indonesia  , natural dying from Mysore  and ceramics from chennai .Through intricate clay vessels, vibrant batik tapestries, and plant-based dyes, she explores themes of cultural motifs  and environmental connection. Additionally, she has completed an art therapy course and conducts successful therapy sessions for individuals and corporate clients who need help with depression and anxiety .

Currently, Diana works at KIDS Central High Cambridge International School, where she is deeply committed to fostering community connections through art.

12th to 18th August 2025

“Meditative Echoes”

An Exhibition of Paintings by Dinesh Kumar Parmar

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VENUE: Jehangir Art Gallery, 161-B, M.G. Road

Kala Ghoda, Mumbai 400001,Timing: 11am to 7pm

Contact: +91 8830708819

The Symbolic Language of Artists | Sweety Joshi and Sanjay Sawant

 

There’s no limit to how forms emerge in art — through lines, colours, or the stroke of a brush. By soaking a cloth in colour and pressing it onto paper or canvas, or even by burning the paper itself. Sometimes it’s about pouring colours across the surface, or dipping fingers — or any object — into colour and spreading the pigments. Or through some other method — the forms appear; they are brought to life. But a technique, however inventive or unconventional, truly bears fruit only when the artist uses it as a means of genuine expression, of search or exploration—not merely as an ‘experiment’ for experiment’s sake.

Dadiba Pundole | Sweety Joshi and Sanjay Sawant

In the works of the artist duo Sanjay Sawant and Sweety Joshi, the first thing we notice is precisely this: the forms and abstractions have emerged from a deep penchant for exploration, an instinct to ‘seek’, expressed in different ways—from burning paper to soaking it. These are not contrived ‘experiments’, but are ‘utilisation’ of various approaches, to churn the mind, memory, thought, and understanding, often in response to a sudden instinctual spark. These emerged organically in the course of creation, so they carry feelings and substance.

Recent works by Sanjay Sawant

Sanjay Sawant: Letters That Never Arrivedb in painting, our first attempt to recognize, make sense of, or appreciate any artist’s expression is usually through the forms or images they create—or rather, that are created ‘through’ them. The artworks in this exhibition suggest that the methods or techniques Sanjay Sawant has used to bring forth these forms are, in themselves, revelations of the very essence of the works. They reveal that these methods were used to reach an inner stir, a swelling of emotion, some subtle ‘wound’ or sensation—captured with remarkable precision. That is what makes these works feel so honest. They impart some subtle realisations, certain sensibilities, layers of awareness.
Here, the search isn’t merely for the lost or undelivered letters—metaphors for memory itself—but also for those memories that were never fully registered. There’s an unmistakable sense that in the rush of modern life, if we never reconnect with our inner self, we risk losing much—perhaps the very essence of what it means to live. And what, after all, is the essence of life? To savour and appreciate beauty, to nurture sensory experiences, and when we are wounded, to pause, reflect, examine, grapple with it, and evolve. In these works, the use of mixed media is like a net cast wide—to catch bhava sthitis—the shifting tides of feeling and emotion. The droplets, perforations, textures, and the soft hum of colours carry echoes of our times, of bygone memories, and hopeful, spirited raginis that are yet to be heard.

Recent works by Sweety Joshi

Sweety Joshi: Lines That Weave Time and Space Sweety’s lines weave and entwine time and space in their own unique rhythm. With these lines, she seems to embark on a journey through emotional terrains, marking the halts and transitions along the way. Her lines reflect a deep, immersive commitment to her craft. And the ‘books’ they have created —veiled in indistinct forms hiding ‘letters’. These signs seem to invite us, suggesting that by engaging with them, we can also compose and read our own books. As we engage with her work, we find ourselves reading two texts at once—one before us, and the other nestled quietly within us. These inner texts, awakened by her works, encourage us to reveal their truths.

Another notable aspect in both Sweety and Sanjay’s work is the fragility of the material itself. Their materials are delicate, almost ephemeral—so soft, so breakable, they seem to say: “Handle with care, I might crumble at your touch. Observe us gently.” Of course, we know every effort has been made to strengthen the artworks and make them durable—but the look of the material evokes a softness, a sense of fragility. Because of this ‘look,’ a layer of sensitivity settles within us—somewhat fluid, somewhat crumbly, somewhat delicate—and it subtly alters our usual way of seeing. We must also speak of the beauty present in these works, a beauty that is wholly their own, not superimposed. As a result, our perception/appreciation of that beauty is of a very different kind—intimate, unforced.

Sanjay and Sweety’s creations reach out to the viewer with a deep sense of familiarity and warmth. One reason for this sense of closeness is the way the narratives—expressed through their forms—gently touch us. They awaken something unexpected within us, stir something forgotten. It feels as though something had gone missing from our midst, and now we too must search for and reclaim it. As we view these works, something tender, lilting and compassionate stirs within us—we begin to see the works, and ourselves, anew. Some human essence—some quiet truth—begins to awaken and expand within us once more.

Prayag Shukla | Sweety Joshi and Sanjay Sawant

Prayag Shukla
Poet & Art Critic

“CRADLE OF MYSTERY AND ECHOES OF THE SOUL”
Twin solos by Sweety Joshi and Sanjay Sawant
at
Jehangir Art Gallery, Mumbai
20th to 26th May 2025

“Shapes of Joy”(Patake) Solo Show of Paintings by artist Asha Anil Phadatare in Jehangir Art Gallery

 

From: 11^th to 17^th August 2025

“Shapes of Joy”(Patake)

An Art Exhibition by contemporary artist Asha Anil Phadatare

 

VENUE:

Jehangir Art Gallery

161-B, M.G. Road

Kala Ghoda, Mumbai 400 001

11am to 7pm

Contact: +91 7020742930

“Shapes of Joy”(Patake) Solo Show of Paintings by artist Asha Anil Phadatare in Jehangir Art Gallery

From 11th to 17th August 2025, Jehangir Art Gallery, Mumbai, will host Shapes of Joy(Patake), an art exhibition by contemporary artist Asha Anil Phadatare The showcase will be open to visitors daily from 11:00 am to 7:00 pm at the iconic Kala Ghoda venue.

 

Artist: Asha Anil Phadatare

For Asha, painting is more than just a creative pursuit—it is a necessity of life. She describes it as a pure and naïve form of sharp expression, a language of emotions that she has honed over the years. Yet, she humbly admits that the true purpose behind her work remains elusive. “Honestly, I would never get the answer,” she reflects, underscoring the deep, personal mystery that fuels her artistic journey.

 

She describes her process as slowly unraveling the meaning of the constant churn of thoughts within. Hidden emotions gradually take form in the mind, eventually finding their way onto the canvas. Sometimes a painting reaches completion; at other times, it remains unfinished. This cycle has been unfolding for many years. Still, the question lingers—why painting? She doesn’t dwell on the answer; in fact, she feels it makes little difference whether it exists or not. For her, the language of painting naturally draws her toward life’s simplest moments, leaving no burden of completeness or incompleteness—just as hunger is met with the simple act of eating.

 

Asha finds a deep fascination in shapes. They emerge directly from life, often ignored in our daily experience. Then, unexpectedly, a shape asserts its presence, and suddenly its beauty becomes visible. As it begins to take form on the canvas, she remains in awe of this transformation.

 

Triangles, in particular, hold a special place in her artistic vision. From village fairs to urban celebrations, from community gatherings to private courtyards, strings of fluttering pennants—tiny colorful triangles—have always been part of the scene. Whether in processions, markets, or festive courtyards, these shapes seem to line up like a school of sparrows in flight. Painting these rhythmic, fluttering triangles has now become her daily ritual—a joyful meditation that ties together the spirit of her work.

 

The exhibition promises to offer visitors an intimate glimpse into Asha’s world—a place where overlooked shapes find voice, form, and life in vibrant compositions.

From: 11^th to 17^th August 2025

“Shapes of Joy”(Patake)

An Art Exhibition by contemporary artist Asha Anil Phadatare

 

VENUE:

Jehangir Art Gallery

161-B, M.G. Road

Kala Ghoda, Mumbai 400 001

11am to 7pm

Contact: +91 7020742930

 

“Meditative Echoes” An Exhibition of Paintings by Dinesh Kumar Parmar in Jehangir Art Gallery

Dinesh Kumar Parmar’s artistic oeuvre stands as a vivid visual meditation on inner states of being, spiritual transcendence, and the synesthetic experience of colour, rhythm, and emotional equilibrium. His recent series, as seen in the mixed-media works from Aura and Meditation, reveals a subtle and contemplative visual language where figuration and abstraction coalesce to communicate metaphysical stillness and emotional euphoria.

Recent painting by Dinesh Kumar

The central figure in meditative posture, rendered in earthy tones and textural overlays, becomes more than a subject—it becomes a metaphor for the eternal rhythm of existence and the serene cadence of spiritual awakening. Parmar’s art invites the viewer into a tranquil realm where silence is audible and time slows into reflection. His use of colour fields and organic textures evokes both natural patterns and inner emotional weather, turning each work into a portal of introspection.

The thematic continuities in his other paintings—such as the juxtaposition of a stag and bottled elements, or a female figure looking upwards to a red triangle—point towards dream logic and symbolic narration. These visual metaphors, grounded in tonal harmony and compositional finesse, suggest cycles of longing, observation, and silent transformation. There is a strong undercurrent of the feminine divine, spiritual ecology, and cosmic alignment running through his visual lexicon.

Artist: Dinesh Kumar Parmar

Parmar’s training in fine art from R.V. Shah College and Seth C.N. College, Ahmedabad, finds resonance in his disciplined yet emotionally charged handling of form. Having exhibited widely across India and internationally, his work reflects a matured vision rooted in Indian sensibilities while speaking a contemporary, universally empathetic language. His paintings not only embody his artistic prowess but also offer sensorial solace and meditative clarity to the viewer—making his practice both timeless and timely

12th to 18th August 2025“Meditative Echoes”

An Exhibition of Paintings by

Dinesh Kumar Parmar

VENUE: Jehangir Art Gallery

161-B, M.G. Road

Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Contact: +91 8830708819

FRAGMENTS OF SILENCE - SIX Artists / Six Voices - Jehangir Art Gallery

The aesthetics of fragments and silence occupy a potent conceptual space in today's contemporary visual art. fragments operate as aesthetics and conceptual device; they reflect what we perceive and execute. whereas silence here is a space between what is said and what remains unspoken.

Artist today is practicing in various medium and material a group of such artists has joined hands together where they stand common conceptually but differs in the language and material. Each of them has their own poetics of fragments and space, yet they stand with a powerful narrative void and a space inviting spectator to enter the world of personal and collective history. Discussing on silence they call it a space not an emptiness, presence of the unseen silence which is muted by multiple layers of steel plates and arrested in the warmth of paper leaf in the shades of colour and the deliberate pauses between forms. it is not passive it resists withholds and listens. The desire and capacity to move from the conscious to the mystical is constant and evident in this group's explorations. 

Abhishek Chourasiya has straight dialogue between the tradition and modern consciousness he tries to understand the transformation of real and make belief he further clarifies that they both are so genuine that the creator the spectator and the unconcerned are engaged and realizes that it exists. this very existence is then related with his idioms of artwork and then continuum to exist in us. 

Siddharth Bettajewargi is the one who has distinctly used natural materials as the medium, viewing nature as his mother and prioritizing environmental concerns above all else. he creates and unleashes various form of human figures in the fallen leaf. This transformation with the paper- mesh and fallen dry leaf is unique leaving behind interaction of speechless emotions characterized in flexible material.

Umesh Chandra Nayak’s sculptures work convincingly challenge the formal nature of academic art, they are deeply personal yet universally resonant with exploration of memory, gender and cultural inheritance. The use of layered metal sheets in his sculptures is intended to symbolize different stages of human behavior, consciousness, and silence, evoking voices from stories that are otherwise inaccessible. It acts as vessels of absence, a carrier of silence. Sustaining each evolving phase of this self-awareness determines the individual contribution to humanity. 

Vinod Chachere’s fragments in the work appears throughout the compositions not as ruins, but as carriers of memory. Vinod’s canvas becomes an excavation were meaning needs to be assembled attentively from scattered signs. The silence here is visual and quietness that emerges from muted palettes, minimal gestures, and restrained composition yet it is so conceptual. He believes Fragments and space do not diminish truth they deepen it and carries the viewer into an intimate dialogue. 

Vinay Bagade’s figures are narrative not through explicit storytelling but through gesture, posture and gaze inspired by lived experiences observation and fragmented memories rooted in traditional figurative techniques. Vinay blends realism with beautification, often depicting static, emotionally distant figures, with decorative elements floating around as if they are residues of memory or psyche.

Virendra Chopde displays his skill in portraying beautiful, elegant, simplified forms highlighted with his distinct style. his paintings emphasize sensitivity of subject and strength of aesthetics, revealing interrelationship of nature and emotion. Chopde’s paintings are the celebratory interpretation of beauty, often featuring dynamic compositions that include flowers particularly “chafa” [Plumeria Flower] which reflect his affinity for nature. His depictions of men, women, flowers, leaf leaves a mark by flat joyous colours and elegant rhythmic lines.

MILIND LIMBEKAR

Artist, Art critic, Art collector

From: 12th to 18th August 2025

“FRAGMENTS OF SILENCE”

An Art Exhibition by 6 contemporary renowned artists – Virendra Chopde, Vinay Bagde, Abhishek Chourasiya, Vinod Chachere, Siddharth Bettajewargi, Umesh Nayak

 

VENUE:

Jehangir Art Gallery

Auditorium Hall

161-B, M.G. Road,

Kala Ghoda, Mumbai 400001

Contact: +91 8149723564 / +91 7276409841

Timing: 11am to 7pm

“Sacred Symphony of Nature” Solo Show of Paintings by Samar Ghosh in Jehangir Art Gallery

Samar Ghosh unveils ground breaking new collection.

An inspiring artist Samar Ghosh is said to unveil his highly anticipated new collection “Sacred Symphony Of Nature” at Jehangir Art Gallery, Kala Ghoda, Mumbai on 5^th August 2025 this compelling series marks a significant evolution in Samar Ghosh’s artistic journey blending bold experimentation with the deep exploration of emotional journey.

Drawing inspiration from nature, personal experience and social commentary. The collection encapsulates artist Samar distinctive ability to capture the poetic and metaphorical expression in nature which conveys a deep thought process likely to reflect some mix of sacred ecological balance for life.

Each peace in this collection represents a moment of interaction with thought provoking messages. The exhibition will feature 15 pieces canvases, as well as selection of smaller intimate line drawing works that delve into the artist’s signature exploration of different techniques.

Through the use of colours and form, I aim to invite viewers into an intimate space where they can reflect their own emotional journey.

The show is not just a series of paintings: - It’s an exploration of vulnerability and strength through the language of art.

“Sacred Symphony Of Nature” marks a bold an exciting new chapter in Samar Ghosh’s career, cementing there place as one of the most innovative and thought provoking artist of this generation.

The Exhibition invite's both long time art collectors and new viewers to immerse themselves in an artistic experience.

Artist - Samar Ghosh

About Artist:-

Samar Ghosh is an acclaimed contemporary artist known for his distinctive approach to colour, texture and form. With 25 years of experience, his work has been featured in numerous exhibitions including in different galleries.

 5^th to 11^th August 2025

“Sacred Symphony of Nature”

Solo Show of Paintings by Samar Ghosh

 

VENUE:

Jehangir Art Gallery

161-B, M.G Road

Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Contact: 8252866675 / 8709797685

AstaGuru’s Upcoming ‘Iconic Masters’ Auction Pays Tribute to Rare Treasures of Modern Indian Art

AstaGuru Auction House is set to present its upcoming ‘Iconic Masters’ Auction on July 29–30, 2025, offering a thoughtfully curated selection of rare and important works by India’s most celebrated modernists. This auction will spotlight legacy-defining pieces that have shaped the narrative of Indian art and continue to command reverence across global collections.

The auction will feature artworks by pioneering masters such as Jamini Roy, Nandalal Bose, F.N. Souza, S.H. Raza, M.F. Husain, Manjit Bawa, Ram Kumar, Krishen Khanna, Anjolie Ela Menon, Akbar Padamsee, Jogen Chowdhury, K.G. Subramanyan, Bhupen Khakhar, and others—offering collectors a rare opportunity to acquire works that reflect the evolution of India’s avant-garde movement. Several of these works are making their auction debut, further enhancing the uniqueness of the collection.

Sneha Gautam, Director – Client Relations at AstaGuru Auction House, shares,
“The ‘Iconic Masters’ auction is a celebration of legacy, vision, and rarity. Each work on offer carries a lineage of artistic excellence and a piece of India’s cultural history. We are proud to present a catalogue that not only showcases signature styles but also invites collectors to be custodians of works that shaped modern India’s artistic identity.”

Highlights from the Auction Catalogue

Featuring on the cover catalogue, lot no. 36 is a serene Manjit Bawa masterpiece featuring his iconic imagery of a cow. Bawa’s use of subdued, soft tonal gradations imparts an ethereal quality to the image, reinforcing the cow’s symbolic presence as a vessel of peace, divinity, and maternal calm. This lot is estimated to be acquired at ₹ 3,00,00,000 – 4,00,00,000.

The auction will present a stunning curation of several works by legendary Bengal School artist Nandalal Bose, including a set of works originally from the collection of E. Kumaril Swamy, a fellow artist and a close associate of Nandalal Bose.

Lot no. 24 is a beautiful and well-published work by artist Ganesh Pyne. Executed with his characteristic use of watercolour on paper, the composition merges miniature-like detailing with a sombre, dreamlike palette, evoking a timeless atmosphere. The lot is estimated to sell for ₹ 20,00,000 – 30,00,000.

Artist: Ganesh Pyne

Coming from the collection of artist Krishen Khanna, lot no. 32, estimated to sell at ₹ 50,00,000 – 70,00,000, is a signature-style mixed media on canvas work depicting a majestic tiger resting in the jungle. Lot no.44, a set of three works depicting his most famous figures of Bandwallas in three vibrant colours. This is expected to be acquired at ₹ 1,20,00,000 – 1,60,00,000.

An extremely unique creation, lot no. 47 is the only known auctioned sculpture executed by artist K. K. Hebbar. Titled & Surya-The Sun Chariot; it is estimated to sell at ₹ 1,20,00,000 – 1,80,00,000.

Three works in the auction, lot no. 42, 50, and 65 belong to the collection of the famous artist Thota Vaikuntam.

Lot no. 56 is a stunning late landscape by F. N. Souza, exemplifying his visceral approach to environment and structure. With a dense web of jagged lines and rhythmic brushstrokes, the composition collapses foreground and background into a frenetic tangle of green, ochre, and blue. This work is expected to sell at ₹ 80,00,000 – 1,50,00,000.

Another highlight of the auction is lot no. 64, a unique monochrome work by M.F. Husain. Estimated to be acquired at ₹ 80,00,000 – 1,20,00,000, it reflects his encounters while growing up in Pandharpur and embodies the raw energy of his figures, drawn from observations of the world around him.

Lot no. 68, estimated at ₹ 80,00,000 – 1,20,00,000, is an abstract landscape by Ram Kumar, which perfectly captures the dark yet poetic essence of his works in the 1970s.

Artist Jogen Chowdhury

Lot no. 70 titled ;Dream; is a work by Jogen Chowdhury, in effect a scroll of sustained introspection by Jogen Chowdhury, created in his mid-eighties as both a continuation and quiet subversion of his Reminiscences of a Dream Series from the 1970s. This work The concluding lot of the auction catalogue, no. 89 is a monumental rendition of the Bandwalla figure by Krishen Khanna titled Shyam Pratap Bhompu Wala. Estimated to be acquired at INR 40,00,000 – 60,00,000, this sculptural masterpiece is a tribute to the spirited street musicians of India.

Each lot in the ‘Iconic Masters’ auction represents more than aesthetic brilliance—it holds stories of creative courage, personal conviction, and cultural memory. Through this collection, AstaGuru once again reinforces its commitment to preserving artistic legacies while offering collectors the chance to be a part of them.

Art invokes the human mind

Living with art on your walls means, you chose to live with your extended personality. Art is influential in the way it translates into an experience that broadens knowledge, strikingly highlighting the grandiose vision of the artist. Art doesn’t expire, it renews, and grows across generations, with offspring learning of stories through the times of their ancestors. 

Works of art enhance the quality of life. When frequently engaged with, be it in a private or public space, they expand one’s appreciation of culture and the consequential intellectual stimulation as one views them intently, prompting multiple interpretations; be it personal, social or even political. In fact, in a home setting, art offers hosts and guests chances for added elements of interactions encouraging meaningful connections that trigger riveting conversations, whilst also functioning as a creative source of reducing strain by provoking inner calm.

Art is meant for many things and inside your home, art is meant to evoke your emotions. Choosing the type of art you want to display in your home not only speaks of your personality but also where you come from, and the copiousness of the history and culture of your country, or values and beliefs. 

While art can simply be means of interior design to some, art on your wall can more importantly be a means of your life’s reflection connected to that of your past, while the intertwining of the artist’s narrative interlinks to create a unique interpretation.

Art is influential in the way it translates into an experience that broadens knowledge, strikingly highlighting the grandiose vision of the artist. Art doesn’t expire, it renews, and grows across generations, with offspring learning of stories through the times of their ancestors. 

By enriching your walls you are enriching your life. If the walls are the body, the art is the soul of it.Imagine your living room having a figurative work of art, your bedroom with a vivacious abstract work, your dining room with a charming landscape and bathroom filled with romanticism. 

Each wall in your home will be different in style possessing its own individuality, its own stories and emotions thereby collectively defining its extended character.

Shruti Vij

Gurugram based artist Shruti Vij , is a product of the prestigious National Institute Of Fashion Technology ( NIFT) , New Delhi, and is an art enthusiast , a painter with a distinct individual style. Shruti's art is not limited by style or technique. She likes to leave it free. She blended her artistic skills with her experiences in the fashion field, bringing about a perfect marriage of her two passions. It is about what touches her heart. During the past few years, Shruti has participated in many art shows, both nationally and internationally and has won great appreciation from art lovers and critics alike. She has an art studio by the name of Shruti Arts.