Delhi-based artist Vinita Dasgupta on self-imagery, spirituality and sold-out shows
Among the works that sold out at the India Art Fair (IAF), the
country’s largest exhibition-cum-sale of art held annually in Delhi, was
an eccentric series with portraits of Marilyn Monroe, an unknown Indian
boy, and the artist herself painted on layers of cigarettes. “Step
closer, there’s something more beneath the obvious,” says Vinita
Dasgupta, 30. On a second look, the “cigarettes” turn out to be canvas
strips rolled into hollow pipes of various sizes. They are pasted
together to create an undulating surface, giving Dasgupta’s paintings a
three-dimensional appearance.
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| ( Vinita Dasgupta's works at Indian Art Fair 2014- New Delhi) |
Dasgupta has been selling out since she was a student at College of
Art, New Delhi, in the early 2000s and the red dots at IAF have only
sealed her place among the promising names of her generation. Relaxing
in her studio, she looks less arty and more airy. No intellectual
handlooms or ethnic jewellery; instead, she is a Delhi girl with
straightened and streaked hair, a nose ring and four tattoos.
“I like to show the invisible in my works,” says Dasgupta. Each roll
of canvas, she points out, contains icons or scenes from mythology —
Rama and Krishna, Radha and the gopis — and Sanskrit shlokas, so that a
painting is made up of many other rolled-up miniatures. “I was looking
for a new style when a friend gifted me earrings made from bits of Coke
cans twisted together,” she says.
Into this pop inspiration, Dasgupta fused images from Indian
spirituality. “I am a seeker of spiritual truths. I travel to Dharamsala
and Varanasi regularly to meditate. And I travel alone,” she says. Even
the tattoo on her thumb has spiritual significance. “It’s the female
moon sign in Chinese and is shaped like an Om,” she says.
As a child — when her first name was still Dipannita, which she
changed in school without telling her parents — Dasgupta learnt Kathak,
classical music, cooking and painting, participated in almost every
activity in school and won lots of prizes, had friends but also spent a
lot of time by herself. Consequently, her artwork looks inwards. Almost
every series Dasgupta has produced since she turned professional in 2008
include reflections of herself.
Of these, My Window Shut to Open (2010) comprise acrylics, digital
and mixed media juxtaposing a world as of candy coloured consumerism —
through motifs such as lipsticks, multiple telephones, stilettos, shorts
and sleeveless tops — with symbols such as the Taj Mahal (“my ode to
builders who build great cities but go unnoticed”) and traffic signals
(“It is only at red lights that we get a chance to look at people who
live on the streets”). “When I was working on this series, I was always
deep in thought. I would watch TV and talk to people, but when that
external conversation stopped, the inner conversation would begin,” she
explains.
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| ( Vinita Dasgupta's works at Indian Art Fair 2014- New Delhi) |
Dasgupta was among the toppers in the entrance exam at College of Art
and she proceeded to spend her four undergraduate years metaphorically coloring outside the lines. “I would sit in the postgraduate class
and hang out with seniors. I was constantly learning from those
above me,” she says. Professors began to teach the new students on
smaller canvases but Dasgupta regularly turned in large-scale works with
strong, almost masculine, brush strokes. She also holds the distinction
of winning the Women’s Athlete award four years in a row.Dasgupta’s first solo, in 2009, was titled “Fashion and Attitude:
Womanhood under Scanner”. Befitting a post-liberalisation youngster, she
tackled a different kind of existentialism from those of an earlier
generation of artists. One of her works revolved around wardrobe
malfunctions, with a traffic signal of the left glowing red. In another,
Dasgupta contrasts the sashay of a model to the steady steps of women
labourers carrying construction material on their heads. The exhibition
sold out, which still surprises Dasgupta. “Maybe the buyers shared my
vision,” she says.
Since then, she has held four more solos as well as 200 group shows
in India and internationally, with Delhi-based Art Konsult representing
her since 2009. This year’s IAF was the first time that Galleria Art
Lounge from Lisbon displayed her works, with successful results. The
gallery has planned a solo of her works in Lisbon this autumn.
(Report courtesy Written by Dipanita Nath
)| March 16, 2014 11:38 pm ( Indian express)
