Fear and hope are two integral parts of life- the artist is simply a vehicle for recording life at its existential best, within these two parameters. I am a part of society; therefore, my paintings basically attempt at recording my personal relationships and experiences. The dichotomy between the tedium of everyday living and the beauty of nature is what inspires me to paint. Form, color, tone, and texture are the main elements of modern painting and thus also of my works. Although I admire nature, I try not to imitate her. Technically speaking, the transparent overlays of bright colors, in conjunction with the blurred spread of the dots and stains of pigments result in the slow emerging sequence of abstract forms and lines.
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| Patil Rajendra- PaRa |
I have been learning about simplification in my quest for pure form and color.My vocabulary of form, though culled from nature has never been swamped by it. The canvas is virgin territory to me, a vast arena waiting to be explored and experienced and to be filled with stirring tales of actions and reactions. In the final run, it is only the simple act of painting that counts. In the increasingly impersonal urban milieu with the disintegrating sense of values and violence has now become a part and parcel of life-if
I was to base my paintings on such subjective reactions, I would be adding to the straw on the camel’s back. Instead of stark reality, I concentrate on giving concrete expression to the simple joy of being alive, communicating this pleasure to like-minded souls. This, I believe is an important role for any artist.
When I think of the foundation of the process of my creation, it is from the inner emotional union of those thoughts beyond the basic thinking that depends on the level of the state of mind and the hymn at that time. As the thought expands, it takes a distinctive shape into body-mind-intelligenceaccustomed parts, and a complementary attitude is formed necessary for manifestation. My art invention is limited to a specific implied meaning. However, this thought process is fearless even on the established and following for many decades, and centuries.It creates a buzz when Avam transfers its orbital experience to an individual rhythmic style, based on a variety of ideas and the basic structure of real memory, voice-imagined imagery. The delivery process of a presentation then begins. Just as in life, under many such collective conjectures, and self experience, an individual thought begins.The structure of my art is fearless in two dimensions of life, i.e., fear and hope. Thoughts expressed with compassion are art. These are the notion of a subject matter or valley representation. As life evolves from the version of
eternity, it reflects the art culture of that stage. The art idea and the visual effects are the aesthetic presentations based on the background of the events which I shape in my art methods. The medium is formed with the resulting composition.
The levels of good and bad also have a myth. The person constructs a variety of expressions in life, sad, or pleasant, which then give rise to several more emotions. My artworks somehow capture these everchanging reactions. My visual experience is expected to be presented in a series of metaphors. It requires the same perpetual style disclosure of Jistraha folk, and country music, whether it is the music of Mozart or the traditions of Indian folk melodies in the background.And that's how in my art, I try to match the manifestation of immortality, always trying to make a safe and healing look.
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Thanks for comment JK